Citizen Kane is majestic, elegant and noble. It begins at the end, we see a man of obvious wealth and power breathe his last, and then the mysteries of his life are unraveled via a series of anecdotes, barely remembered scenes and highly subjective memories.
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19:30 =Citizen Kane, 1941, directed by Orson Welles, 119 minutes / Citizen Kane has been lauded as the greatest motion picture to come out of America during the black-and-white era (or any era, for that matter). It also represents the pinnacle of Orson Welles’ film making career. For, although Welles lived for more than forty years following the release of Kane, he never succeeded in recapturing the brilliance or fulfilling the promise of his first feature. Some maintain that his cut of The Magnificent Ambersons was more powerful, but the studio took the film away from him, slashing more than 40 minutes of footage. And, while Welles’ Shakespeare movies and A Touch of Evil contain elements of brilliance, they are not on the same level as Kane. It has been argued, most forcefully in Thomas Lennon and Michael Epstein’s 1996 documentary, The Battle Over Citizen Kane, that Kane not only started Welles’ directorial career, but nearly ended it.
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